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"These girls just wanna have
fun" continued:
Adds percussionist and singer Pam Delgado, "We
all decided that it didn't really matter what happened
- our only goal was to play good music."
Since the Harcourt, Pasqual, Delgado and Jeri Jones
formed the band in 2000, they've been enjoying themselves
so much, it didn't matter if Blame Sally achieved commercial
success by conventional standards. But almost by accident,
it started to happen.
Their first CD, "Blame Sally Live," came out
in 2001 and became a KFOG favorite. "Whenever we
played it, we heard a lot of positive feedback from
the community," says KFOG programming director
Dave Benson. The track "The Planet Ranch"
appeared on last year's "Acoustic Sunrise 10-Year
Anniversary" CD with the likes of Paul Simon and
Dar Williams.
Their new album, recorded at Harcourt's home studio
in Mill Valley, was released in April 2004. The track
"Water" became a highlight on KFOG's World
Class Rock compilation CD, "Local Scene,"
which raises money for the nonprofit organization Music
and Schools Today.
"When we were putting together the local-bands-only
CD, they made the final cut out of hundreds of possibilities,"
Benson says. "They just kept rising to the top
of the pile because of their quality sound."
That exposure gave the band the boost it needed. "We've
sold a few thousand CDs just off our Web site and at
gigs. We also have downloads on iTunes and other sites,"
says Pasqual, who does soundtrack work for a documentary
film company.
After KFOG started playing the live CD, bookings picked
up and now Blame Sally does up to six shows a month.
A favorite gig is the in-home concert they donate to
the annual fund-raising auction at Marin Horizon School,
where Harcourt's daughter is a student.
Without the intense pressure of making money, Blame
Sally's live shows are kicked-back affairs with plenty
of audience interaction. "A big part of what distinguishes
our band is that we're so connected to the people and
each other," Pasqual says.
On-stage banter creates an intimate environment, and
the musicians feed off the audience's pleasure. The
band members say their synergy is one of their major
strengths.
"You're always close to people you play music with,
because it's such an intimate experience," says
Harcourt, a graphic designer for a Sausalito firm, "but
this group is really different. I think the audience
picks up on the 'love fest' we have going. It may be
part of our appeal."
The other part of that appeal is, of course, their music.
The four women draw from disparate American roots of
soul, blue grass, country, funk and classical piano,
while infusing their sound with a quirky modern edge.
The band's beginning dates back to 1990, when Harcourt
moved to Sausalito from Los Angeles and met Pasqual
at the Napa Valley Folk Festival Emerging Songwriter's
Contest.
"I won that contest, but Monica proceeded to win
just about every other songwriting contest we entered,"
Harcourt says. "We joke about how we've been in
competition ever since - until Blame Sally of course."
In the mid-'90s, Harcourt's band, Ruby's Tattoo, occasionally
shared bills with Monica Pasqual and the Planet Ranch
(of which Jones and Delgado were already a part) at
venues in Marin and San Francisco. In the fall of 2000,
Pasqual released her second solo album and invited Harcourt,
Jones and Delgado to do backup work.
"We had so much fun, we just took off from there,"
says Jones, who makes a living as first assistant to
a nationally renowned food photographer.
Their quirky name comes from an old roommate of Pasqual's.
The Blame Sally women are equally adept at vocals, songwriting
and instrumentation. They have a remarkable vocal range
and tight harmonies. Delgado, a professional gardener
from San Luis Obispo, has the experience, personality
and front-and-center presence on percussion that helps
make the magic happen at live shows. Harcourt and Jones
prove their versatility often by trading rhythm guitar
and bass duties back and forth throughout the set.
"It allows us a short private moment of contact
that's grounding between songs," says Jones, who
grew up on Air Force bases all over the country and
now calls San Francisco home. "It's sort of mysterious.
Our partnership is about mutual respect and being supportive."
With all four women writing lyrics, the band's albums
are diverse and rich. "We listen to different music
and we think about different things, but our disparate
influences come into one sound and nothing gets sacrificed
along the way," Pasqual says.
Quirky narrative songs such as "Beat Nouveau,"
which evokes a beatnik coffeehouse scene in 1950s New
York City, show that these women aren't taking themselves
too seriously. Saucy lines appear in such songs as "Grape":
"My skin is thin / I feel like a grape / I'm sort
of sour with a chalky taste / and I don't give a damn
if you purse your lips / as a matter of fact I think
I like it like this."
"Give a Damn," which is about dealing with
the break-up of a 10-year relationship, is further evidence
of Blame Sally's wide emotional bandwidth.
"Most of my lyrics are very personal and drawn
from life experiences and relate to matters of the heart,"
Harcourt says. "I don't try to get too deep. I
usually just need to get a feeling out. Songwriting
is very cathartic. I find it a good way to move through
stuck places."
The band members are amused that the "just having
fun" attitude has led to success that eluded them
in previous projects.
"We tried them out here when they opened for Houston
Jones a few months ago," says Max Brown, a Rancho
Nicasio spokesperson. "We wanted them back as headliners
because they're such interesting women with a great
sound and they've got a good following already."
In March, the band will head to Italy to play at the
Sardinia Music Festival.
"It works because we admire each other," Pasqual
says. "We're opinionated and we have fiery disagreements,
but mostly we back each other up. We're all pretty strong-willed,
but we trust each other enough to battle through to
a place that's better. There is so much potential in
this band."
By Elsa Knox Butler, IJ correspondent
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